Tag Archives: Fun

WarGroove: The Best Game of 2019 Comes Early.

I know what you are thinking: the title of this article is hyperbole of the most unforgivable kind. Just do me a favour and give me a chance to explain.

Wargroove is the latest game developed and published by Chucklefish: the now legendary publisher of the smash hit farm-em-up Stardew Valley and sci fi side scroller, Starbound. The London based publishing and development house have been consistently chucking out winners since the start of the indie revolution, beginning their meteoric rise with Risk Of Rain: a devilishly difficult roguelike.

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The things their games seem to have in common are a focus on brilliant, stripped down mechanics and a high quality pixel art style, both of which suit me down to the ground.

I spotted Wargroove on one of my frequent and mindless trawls through the steam store. The art style immediately caught my eye and I felt utter joy in my heart as I saw an armoured dog leading an army into battle on a 2D battlefield. I was hooked even before I bought it. This feeling only intensified as I was greeted by an anime-like intro cutscene which I just sat and watched. In recent years, Blizzard has been lauded for their amazing cutscenes, and rightly so, but it is nice to see a smaller developer going for the same sort of thing.

The game brings many franchises to mind: Advance Wars, Fire Emblem, The Battle For Wesnoth. These three are stalwarts in the turn-based strategy genre and in a sense Wargroove actually is all these amazing titles that reached their zenith years ago. It is a kind of rebirth of turn based tactics games, embodying the things that made them great; like smaller maps, tighter mechanics and the ability for players to make maps and customise everything, then they repackaged it into something fresh and beautiful, clearly created by people who know and love the genre.

The gameplay is simple: you take control of one of 12 heroes, 3 for each of the four distinct factions and vie for control of a tactical map broken up into squares. There are a profusion of unit types; from lowly foot soldiers to trebuchets, ships and dragons, all which add tools to your toolbox when trying to outfox your enemy. The interesting thing to note is that each faction, while aesthetically unique, can only produce the same units.

This means that the game is easier to balance, with the only asymmetry being with the leader you choose, which puts it in good stead for the Esports scene which has energetically sprung up around the game. From what I have played, the “quick play” option in online multiplayer indeed returns a game quickly, which is fantastic. You can also set up your own game with a whole host of different options to face off against your opponent. I can only hope the devs follow this ease of use up with more features to support competitive play.

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The campaign is fully formed and engaging: you follow Mercia, queen of Cherrystone, who is thrust into the driving seat after her father is assassinated by the undead Felheim faction. It plays much like the older games mentioned above: sections of dialogue interspersed with thematic battles which introduce weird and wonderful mechanics to keep you on your toes. The game also provides “puzzle” and “arcade” modes that will significantly aid replayability. There is plenty of humour in the campaign, alongside the broader themes of adventure and war. It’s safe to say Wargroove doesn’t take itself too seriously.

To me, this game is like chess but better. You take your playing pieces and are able to dynamically fight and counter your opponents strategies as you build units and try to out compete the opponent financially by capturing towns. The amazing “crit” system ensures the need for deep thought when positioning your troops, as they only reach their full potential when meeting criteria specific to each unit. I have found myself staring over a defensive line at my opponent, waiting for one of us to blink, only to find myself outmaneuvered somewhere else and forced to flee. You feel the tactics and back and forth of a good wargame just oozing out of this title.

Overworld-Map

This game makes me feel like I am at the start of something new and interesting. This is a feeling we gamers crave; back in 2015, Rocket League hit the market and started a sports-game revolution all of its own. The reason it was able to do this is because it firmly placed itself into that genre, but did the same things as other sports games (use of physics, a ball with goals and a global game timer) repackaged into something new and fresh, the process by which those older, tried and tested elements, could create something satisfying and new. As of the writing of this article, the highest prize pool for a Rocket League tournament was over 1 million dollars.

Wargroove, I feel, is doing the same thing to turn based strategy games. There is a huge demographic of gamers who are starved for this type of game and feel the urge to watch talented people play it against each other; to follow their favourite player and hopefully start that journey themselves. The strategy gamer in on the comeback.

This game delivers on so many levels but it is important to discuss its drawbacks. Chiefly that most people will really be put off by how slow the game can feel when you are in the thick of the action. Every game requires you to really think about how you set up your forces and is almost a cold war where each person is trying to push and maneuver to find an edge. In fact, once the fighting begins, you often know what the result is going to be only a few turns afterwards. To me, this is ideal, and speaks to a wargame that works, but for others it might ring dull.

Winter-Map

In conclusion, I do not think it is too soon to tell that this beautiful little game is going to make waves in the realm of strategy well into 2019 and I cannot wait to play in my first tournament.

Wargroove is out now on Windows, PS4, Xbox One and Nintendo Switch. It is priced at around 15-20 dollars.

P.S. Wagons Are Bad – Brought to you by the Anti Wagon League.

Warhammer Quest Blackstone Fortress: One Stronghold Down & Still Learning

Prior to the Festive period we got our hands on a box of Games Workshop’s Warhammer Quest: Blackstone Fortress. So far we’ve been loving the game. Some of us have had reservations about Games Workshop in the past, their ability to piss their hardcore fans off – which seems to be normal for any company in the 21st Century, but more so because of the blatant greed. I digress, I actually enjoy the Warhammer and Warhammer 40K universe.

Over the festive period we’ve managed to get in three solid gaming sessions; the first to get to know the game and try to figure out the rules; another to start a proper campaign and see how far we could get; and the most recent session to take on the first of several strongholds in the game. Allow me to explain…

In Warhammer Quest: Blackstone Fortress you play characters from a band of adventurers in the 41st Millenium, investigating an ancient and monolithic structure drifting in space. Access points to this fortress allow you to gain entry into different parts of the fortress, where you seek clues to find the much sought after Hidden Vault.

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In game terms you need to find clue cards from your expeditions into the Blackstone Fortress. At first glance we thought this could take a good number of games, and now after a few more sessions we have a better understanding…

In session 2 we ploughed our way through a regular expedition, taking some heavy fire but actually finding a total of 5 clues, 1 more than we actually needed. This allowed us to gather the information and put it together into locating one of several strongholds which held a higher echelon of clues, to eventually permit us deeper into the fortress (we guess). So in actual fact, we don’t need to play hundreds of games as we at first thought. No, you can get all the clues you need in a single nights session of gaming.

So in session 3 we blitzed the run-up to this stronghold, the Descent, where the players must traverse a two layered dungeon map (sorry, Combat map) and then get to a focus point and access it several times to end the game. Whilst this was happening, the monsters and bad guys were spawning 50% of the time, because reinforcements in Strongholds happens on a 1-10 of a 20 sided dice.

But we cheated..!

Ok, so we had 6 players this time round (usually its 4 characters tops), so it was much easier. But in our defence, we still nearly lost several characters in the process which would have crippled our chances of completing the game as a whole and never opening that secret envelope for the Hidden Vault.

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Mmm, secrets…

So, to the naysayers on reddit who told me that the price of the game (even discounted to ~£70) was not worth it because, on average, people would maybe play the game 4-5 times a year: your loss. Even if you hate Games Workshop for being the money making powerhouse that it is, they’ve actually hit upon a good game, that has more depth and story than any of the current or previous games they’ve made.

You see, the game relies on players not always being present every gaming session, so that the characters they play, which are persistent throughout the gaming sessions, get played by other members of your gaming group. If that character dies, there’s no chance of them coming back, they lose all of their equipment, focus and abilities not only of themselves, but of the adventuring group. That adds up to quite a loss.

Why is this a good thing?

Because it adds a sense of realism and makes the game harder challenging.

We’ve felt challenged by this game each session, more so because there is no genius mastermind controlling the bad guys. Cooperatively, we were still getting our buns handed to us by an insubstantial  entity that is the games master.

A bit like a omnipresent  entity in the form of a floating space fortress…

Our advice for the average gamers with families (thus limiting your game time) – play Warhammer Quest: Blackstone Fortress with less  Exploration Cards. Normally you create the deck of Exploration cards by taking 4 from the challenges and 4 from the Combat decks. This, in our opinion, can take more hours than are fair in an evening.

Three cards from each can take you 3 hours, you just get less chance of finding clue cards, but then you just play an extra session later. It’s pretty straight forward!

Let’s see if we can get that envelope opened!

Game Design: An Exercise In Friendship.

Hello, all.

Fozzy here from creator consortium. I’m aiming to bring you an article on games design, or rather, the summation of my experience at designing our in-house tabletop role playing game; Pulp RPG.

It started some months ago, between Ferris and I. We’re prone to flights of fancy, in fact it has been the defining feature of our friendship as far as I am concerned, and something I am very glad of. There is nobody else in the world who I can pool my enthusiasm with like I can with Mr Ferris. We’ve both designed systems before, many on the back of napkins, so to speak, some make it a little further. I know he developed a very nice little system he plans to convert to Pulp later down the line, but I digress.

We’ve never gotten this far before. We have a tangible, working system that feels as if it lives and breathes before our eyes. It stands apart from us now, as its own entity; maybe rough around the edges, it’s face will change over the years, but it’s exciting and I think I know why.

The reason we were able to get this far is because we were able to harness those long conversations, temper the streams of consciousness into a honed blade. You spend so long talking about something that it no longer makes sense, and many times this was the case with our game. Yet every time that happened, we resolved to take a step back and pluck from the haystack those needles of brilliance (in our eyes) that allowed us to produce something we both see as worthy now, we established rules and clear goals at the start of the process and never deviated from their mandate.

The lessons taught were simple: to let your mind run away with possibility, but to always slash away at those ideas until the good ones emerge. To be hard on yourself as well as each other, to never compromise on something you feel is right, but never try to compromise the other in what they think is right.

The above sounds like an exercise in futility, but we did it. I feel it is a testament to the kind of friendship we have and the kind of honesty we share with each other that has helped us to go further with a project than we ever have before. It’s also the reason why we’re going to succeed in bringing our game to people’s tables. It almost feels inevitable.

And so I write, and he writes;  sometimes completely separately from the other, because we know what is expected. Because we worked hard to trim and to smash away the marble to build a streamlined core that can always be referenced, that we built, and it feels good.

As we go forward with our myriad projects, I think that is the main idea we want to keep front and centre: that every move forward must look back on who we are, to remember what is to be achieved by our partnership and whether each step works towards the principals you set out at the start. And to have fun with the creative process, and to make some of that fun being harsh when it comes to editing.

I enjoy writing more rambling articles. I feel like I put too much pressure on “having something to write about”, when I enjoy writing so much more when I find that something when I’m writing it, so expect more of these from me.

Happy gaming,
Fozzy.