Tag Archives: dragons

Low Fantasy Gaming RPG – A Return to the Old Days of Gritty Dungeons & Dragons?

Part One

Like the dodgy dealer in the side-street, I’m wearing a long coat, stuffed, you believe, with all the content of some knock-off role-playing games. But when I speak, the words are not what you’re expecting…

“Wanna play some high risk D&D, do ya?”

This is Low Fantasy Gaming, and if it was a drug, it would be up there with the class A’s.

Pickpocket Press (Stephen Grodzicki and co.) successfully completed and shipped their kickstarter for Low Fantasy Gaming. For the primary backers, that meant that some of us received a link to make use of a discounted print version using DriveThruRPG. As a backer, I decided to get the hardback deluxe version and take a look!

fantasy D&D dungeons and dragons Low fantasy gaming RPG gritty

In this article, part 1 of 2, I’m going to look at the character creation and aspects of the game that relate mostly to the payers. Part 2 will focus on the GM section and go into detail on the various game elements introduced to widen the scope of the game and bring it to life!

Read on…

Why did I back LFG?

Mainstream Dungeons & Dragons, to some, has lost its danger element. It seems too easy to safely succeed. Clearly some of this is down to the GM’s style, but the game system itself feels designed to permit “winning.” The general feeling is that players are expected to win, with the rare exceptional circumstances. This is a huge area for debate, which won’t get covered here but it outlines why I wanted to see what LFG had to offer.

So, LFG takes D&D away from the safety of a kids animated TV show and throws it into a bloody meat grinder operated by Stephen King and the reanimated corpse of Howard Lovecraft. Frankly, no one is safe… which makes the game feel far more exciting. The tension is going to build easily when players realise their fighter is not the steaming tank of hit points, but rather a human with human weaknesses!

So what is Low Fantasy Gaming? What’s the book and its content like and how does it feel? Is it just a grittier version of Dungeons & Dragons fifth edition or is it something else? We’ve got you covered, so read on for more!

fantasy D&D dungeons and dragons Low fantasy gaming RPG gritty

A Note on OSR & OGL

Low Fantasy Gaming seems to be part of the old school revival (OSR) of role-play games. This revival focuses on less about keeping in line with the rules and more about full immersion into fantasy. The point of any exercise was to test the players themselves, encouraging them to test their ingenuity and creativity.

According to Wikipedia the OSR was only made possible by Wizards of the Coast introducing the Open Game Licence (OGL) way back in 2000. The OGL allowed for unofficial creative content that was in line with the traditional Dungeons & Dragons game content. The explosion of home brew rules and adventures from third parties exploded in the early 2000 because of this and is attributed to much of the long life of 3 and 3.5 editions of Dungeons and Dragons.

Low Fantasy Gaming is definetly part of the OSR, and it’s content is 99% OGL.

General Overview

Low Fantasy Gaming (LFG) is a primary source book, made up of a players handbook, a games masters guide and a monstrous manual all rolled into one. It is fully compatible with D20 system material RPG’s and with a bit of work compatible with content from Wizards of the Coast material such as Dungeons & Dragons. Saying that, why would you want to? This game is perfectly standalone and seems to have itself balanced out!

LFG is set in its own “quasi-realistic world” in which magic and monsters are present, but are not as common place as in your typical fantasy world setting. In its default setting, LFG is a game where player-characters are human and one of the 9 classes. Those classes are much less magically inclined but are still greatly inspiring.

The deluxe edition of LFG is 286 pages (from contents page to the end of the index) and covers everything from character creation, equipment, spells and magic, how to play the game and then onto the GM specific chapters, such as monsters, how to prepare adventures, traps, treasures and a whole host of other cool mechanics and ideas.

It is everything you need in one book. You just need paper, pencils and dice!

It may not be for everyone however, as the game is very much swords and a bit of sorcery, rather than the high fantasy heroics of its mainstream counterpart.

If you’re not a fan of tables you may struggle a little too. Although it’s not reliant on tables (the GM can, after all choose to ignore them), they do add a strong element to the game, particularly  if the GM likes to add a bit of chaos to the table!

The artwork is second to none too. The quality and variety of styles could be found in any professional quality gaming book. I would happily rank it right up there with Wizards of the Coast. You can find examples of the artwork throughout this article!

So what’s in the book?

Screenshot 2019-08-10 at 09.40.39

Character Creation

The first obvious change to the standard is that character attributes, those numbers which determine how strong, wise or fast your character is, have been altered. Whereas a score of 14 in an attribute would provide a bonus to a dice roll of +2, it now only provides a bonus of +1. The maximum score for an attribute for humans is set at 18, not 20. So we see a reduction of ability score bonuses and their maximum.

However, we also see the introduction of several more attributes. In “regular” D&D we have six attributes; 3 physical (strength, dexterity & constitution) and 3 mental (intelligence, wisdom and charisma). In LFG there’s a split of the wisdom attribute into Perception and Willpower and they’ve also introduced Luck as an attribute. Luck as an attribute isn’t new to role-playing games (we even have it in our own Pulp RPG beta system).

So, perception covers your characters physical wisdom, sight, hearing and observations, whereas Willpower is described as self confidence and mental fortitude. I suspect that these will either mean you must spread out your strong attribute scores or have to pick between one or the other. It does however mean you’ll likely be “OK” for at least one of them!

The Luck attribute is interesting. It is broken down into two primary functions; luck saves and luck checks. A luck save deals with direct attacks and reflects your characters adventuring expertise to avoid hazards.

The luck check is way more interesting. You can use luck checks to perform unusual actions which are situational, defined by LFG as “Major Exploits.” These are essentially like ‘get out of jail free’ cards but a bit more fun. For example, you can use your luck checks to escape from dangerous or ill-fated battles. This may seem like a role-play cop-out but the players need to explain how they will execute this tactical withdraw and there’s no guarantee it will work!

So as you can imagine, a game with this sort of narrative-enabling mechanic is going to have moments where the players decide it’s time to bug-out. The expectations are great, because in every game I’ve ever run for players, retreat never seems to be an option considered. It is a lesson that has cost them dearly, but I suspect a quick lesson for LFG gamers.

fantasy D&D dungeons and dragons Low fantasy gaming RPG gritty

Races are not limited to humans, but there is very little in the way of advantages per se. Dwarves for example gain advantage on rolls associated with resisting poison and magic of all kinds (which is quite a strong benefit but a low intensity mechanic). They have some benefits in low light conditions, but are just as blind in total darkness as humans.

In opposition to this, each race gains a less desirable trait, such as gold lust and highly honorific for dwarves – they must undertake willpower checks to resist opportunities for riches (making them reckless prospectors) and similarly, a willpower if they perceive themselves to be slighted. Don’t forget, there is no single Wisdom attribute, so be prepared to pull the dwarf out of the furnace trap!

Gone are the attribute score improvements and randomly assigned bonus skills and abilities. At most, a race other than human will receive advantage rolls of some sort, but that is all. The disadvantages may seem meekly role-play ones, but they will no doubt get the characters in trouble… and in a system like this, trouble can mean death.

Character classes are a lot less magically inclined and much more martial. This does not rule out characters with magical abilities. In the place of wizards, sorcerers, warlocks, clerics and priests we have the Cultist and the Magic User. Appropriate names in modern society? Probably.

Classes include: the artificer, barbarian, bard, cultist, fighter, magic user, monk, ranger and the rogue. Some of these may seem like magically themed classes, but they are not so obviously brimming with magical powers.

fantasy D&D dungeons and dragons Low fantasy gaming RPG gritty

Hit Points act much the same way as they do in other 5th Edition games but have undergone some changes: class hit-dice are half the potential maximum hit points for a higher minimum (for example, 1D5)… and since you’re only reaching level 12, you’re not due to get many more, especially when you realise that towards the upper levels, your characters bonus hit points are capped by class.

So far many of the changes are aimed at reducing numbers. In a strange way they also seem to be streamlining the game system. Compared to Dungeons & Dragons, we already begin to feel that the game is closer to a real life experience with believable heroes, compared to a heroic world with unrealistic and death defying mundanity. There’s less messing about too, which I like.

What about character Advancement and variety?

So where does the character variety and customisation appear from? They would be the Unique Features. Unique features (UF) are gained as characters advance in levels. There are 37 unique features to choose from but unlike Feats in Dungeons & Dragons, many of the UFs are tiered. This gives many more options to customise a character, where a player can dedicate their efforts into a single UF or spread out in a variety, becoming adaptable. Here’s “Iron Grit” as an example (edited so as to avoid spoilers!):

  1. Increase your hit point maximum by x per level.
  2. Whenever you suffer a critical hit, you can perform an attribute check (X) to turn it into a normal hit instead.
  3. Gain advantage (re-roll 2 dice and choose the best result) on all Dead or Mostly dead checks.

Interestingly, there are no tables of experience points to advance your character through levels 1-12. Instead, the games master is meant to decide with the players when they think they’ve earned it. This brings the game to both the players and GM: involving both sides pulls the cohesion of the game together and breaks down some of the barriers over the table. It also cuts out the farming of experience points in a desperate race to gain levels.

It worth noting too that monsters do not earn characters experience points for slaying them. This introduces the status quo element to LFG. Go to Dragontop Mountain, expect dragons. Fully grown dragons!

fantasy D&D dungeons and dragons Low fantasy gaming RPG gritty

The Magic System is both dangerously mysterious, and oft unpredictable!

Despite being low fantasy, there are some surprising little tricks in the magic mechanics f LFG. Firstly, anyone can “sense magic” with an appropriate Intelligence or Perception check. That’s quite cool, it means that any character can get a foreboding sense or eerie feeling about something – very flavourful!

On the down side for spellcasters, if you take damage before your turn, you simply can’t cast a spell. Quite limiting but in tune with the low fantasy setting – casting spells requires a lot of concentration, so rather than pump a stat or skill to overcome this, the option is simply taken away. Good or bad, I’m not too sure. I like the flavour, but others may see it as a little too constrictive.

Casting a spell is great though! In LFG sorcery is inherently dark and dangerous. So rather than just casting a limited number of spells per day, an extra dice roll (a D20) is required. On the roll of a 1, something bad happens when the spell is triggered (and the spell is always cast). There’s a lovely table of 100 effects for this!

And it gets better. Every time a spell is cast, the chance of rolling a dangerous effect increases by one. So if you cast 5 spells, on a D20 roll of 1-5 a dangerous effect applies. This only resets after a dangerous effect triggers or the character survives to the end of the adventure… the END OF THE ADVENTURE.

So yes… a cumulative 5% chance of things going wrong!

fantasy D&D dungeons and dragons Low fantasy gaming RPG gritty

Negative effects can include having ones lips fused together for upto 24 hours, aberrant terrors, demons or undead appearing nearby for several minutes or a limb turning into a giant tentacle for several days! Preserve your spells or go nuts for a touch of chaosivity!

Cultists (the divine casters if you like) don’t get away easily either. If you do not follow the tenets of your faith, or displease your god in some way, you can lose Favour. There’s a whole set of rules similar to sorcery which can hinder and play with the mind of your player character. The essence is as above; it’s all about flavour and enhancing the roleplay and excitement of the game.

So far, there are 120 spells in LFG each of which follow an easy to read and execute format. The spell names are colourful but termed in a way which makes them easy to identify. The descriptions also contain a lot of variety or variations. What I really like is that the GM often has control over how some of them work in the form of “The GM may allow a perception check to identify if something is wrong.” Essentially, it cuts out those players who are rules lawyers (that is, those who stick to the word of the rules and does not like any sort of variation or GM flavour to permit a smooth game). Empowering the GM or players in equal yet different ways. Good skills LFG!

fantasy D&D dungeons and dragons Low fantasy gaming RPG gritty

In Battle your character is not just a sack of hit points encased in a numbered armour class in need of being reduced. No, it’s far worse than that!

The warning signs come on pretty early – when a character is reduced to half of their maximum hit points they incur penalties as they slowly get beaten to death. Just when they thought they could lie down and wait for help, the end may be sooner than they expected.

A character that is reduced to 0 hit points is out of the fight. To add some tension, no one around the gaming table knows if they are truly dead or mostly dead (those are the actual terms used in LFG) until, and I quote “… someone turns the body over for a closer look (rummaging through pockets optional).”

No dice rolling to pass three fifty/fifty saves, no sudden burst of hit points in a ranged heal. Just quiet, excruciating death-tension.

fantasy D&D dungeons and dragons Low fantasy gaming RPG gritty

Let’s assume your character survives the ordeal, you’re still not out trouble: there’s a table for injuries and setbacks. Now, I loved the old Warhammer Fantasy Roleplaying injury system, with its visceral and character building effects, but it’s very crunchy and can slow down the game, reducing the tension as the GM begins rolling on several tables and calculating just how messed up a character gets. LFG gives a simple table of 17 effects, each of which can only be dealt with in a certain way… sometimes with very particular spells to help you out.

So far this RPG system feels wonderfully gritty, with a real measure of danger that goes beyond the GM simply killing of their player characters or fudging dice.

That’s the end of part 1 of our review of Low Fantasy Gaming.

Next week we’ll be looking in depth at the GM side of the game, review the cool mechanics and content, such as mass battles and the scary monsters that lurk within it’s pages!

fantasy D&D dungeons and dragons Low fantasy gaming RPG gritty

You can find Pickpocket Press on twitter with @LowFantasyGamin or their website. With thanks to Stephen Grodzicki (author of Low Fantasy Gaming) for being a top bloke, and generally making us here at CC really happy with a cool RPG system, and a fancy book (we’re so happy we backed it!).

You can find me @FerrisWrites for Twitter,

Our Facebook Page!

Interested in how to become a great games master or dungeon master? Take a look here and here!

Maybe you want to learn more about how exploration could work in your role-play games? Check out our article here.

TABLETOP WAR-GAME TERRAIN & SCENERY: Part two, the basic steps

Thinking of making your own terrain and scenery for tabletop games? Here’s our take on things, free and easy to use!

Last week we brought you an introduction into making terrain and scenery pieces to your tabletop games like Warhammer Age of Sigmar or Frostgrave. In this article you’ll find a little more detail on the early stages of modelling terrain features, with some images of the pilot projects we have currently underway.

I want to to make it clear that I didn’t plan any of these pieces – no more than just a casual thought and a pencil line went into the design, highlighting the point that planning isn’t everything for small projects like these. It can be fun and highly rewarding if you’re open to learning from the process and as Bob Ross would say, have some happy little accidents.

Our approach should hopefully mean less headaches for you and we hope you will enjoy the fruits of our labour!

Stuff We Used (But can be swapped for similar stuff)

  1. Styrofoam sheets (or polystyrene)
  2. Hot-wire Cutter (optional but very quick and smooth)
  3. Craft Knife (essential)
  4. Rolled / mushed up tin foil (optional)
  5. Hot-Glue gun (or PVA glue if you have more time)
  6. PVA Glue
  7. Mod Podge, matte (Optional but a very good sealer)
  8. Acrylic Paint (Black, Tan, Grey & White)
  9. Grass Flocking, gravel (optional)

Preparing the Base

The Styrofoam sheets were too thick, making the round bases 2 cm high, so I cut them down to 1 cm. This gave twice the number of bases I wanted – a great stockpile for future terrain pieces. I reckon these 1 cm high round bases are still sturdy, more so when we apply the various coats of paint and sealers to them. For bigger projects, I may in the future use MDF board.

However, cutting tall pieces of Styrofoam sheet proved difficult – despite my best efforts to keep the pieces upright,  there was always some flexing which caused a few uneven cuts… check out the damage!

wargame wargames terrain building modelling warhammer 40K age of sigmar AOS miniatures frostgrave

I got round this by using some scrunched up foil and rolling / dabbling the foam base with it. This softens edges and adds detail. Be sure to use different parts of the foil so nothing looks uniform – or just get yourself a smooth cutting jig for sheets.

Perfect Bricks Begone!

In the previous article I mentioned that the bricks I cut were too perfect. And probably too big. This time we decided to cut smaller bricks than last time – they look better and if we want to make a curved wall, smaller bricks would leave smaller gaps. If we want to add foundation stones to anything, we could still use the larger bricks in the future.

To begin with, we used our very cheap Ebay purchased hot-wire cutter to make a lot of bricks and some bases out from our Styrofoam sheets. This took a bit of time, but now that there’s a box of ready-to-use bricks, we can focus on building and crafting!

To make life easier, I cut some strips from the sheets of Styrofoam and then simply cut the ends off, 1 cm at a time. With a bit of practice I was pushing 2 strips through the hot wire at a time, creating plenty of bricks in the space of an hour.

With the brick cutting process sorted it’s time to deal with the ‘perfect brick’ problem from the previous project. The best idea the internet had offer was to put those Styrofoam bricks into a tub, throw in some real rocks then seal the lid down tightly and shake for a minute. The result was nicely weathered, pitted and rounded edges on each brick. Perfect!

Preparation

Most of the prep work here is to ensure you can start creating great looking pieces of terrain quickly. If you follow our method, we think you’ll be all set up to get stuck in any time you fancy creating!

  • Cut out many, many 1 x 1 x 2 cm bricks. Don’t worry if they’re slightly out of shape – for ruins or even fresh built walls, a little variety adds some realism to the final product. You can go bigger if you’re after chunky masonry.

wargame wargames terrain building modelling warhammer 40K age of sigmar AOS miniatures frostgrave

  • Weather the bricks by tossing them into a container with stones as mentioned earlier or you could mush them about a bit with some scrunched up tin foil.
  • Prepare a base – for me a 1 cm thick circular base at about 6 inches diameter (inches because most tabletop war games use inches) was fine. The size is just right for some ruined walls without being a massive piece for the tabletop.
  • Mix paints and glues. We added a healthy dose of black to our Mod Podge, created mixtures of water and PVA and even prepared our flocking for creating moss. Cheap black paint with water will create a very simple and nice shade wash to douse your piece, this will offer depth of detail before you move on to painting it properly.

Now to have a think of what to make: to begin with we marked the base with very light pencil lines. These marked out where the bricks would be placed and glued and kept the bricks to a straight line. If you’re making a curved wall, find something to match the curve you’re after – such as a Pringle tube or a cup and trace around it. It’s probably more important for curved walls to trace the lines in.

So, without further ado, here’s our basic terrain formula. We use this formula to create terrain pieces speedily. Keep in mind that it’s pretty basic, but it should give a good coverage to your materials to enhance their structural strength.

Basic Terrain Formula

Hot glue gun. Glue each brick, one at a time. Give each row a few seconds to cool and harden so you don’t squash previous layers out of line. Build upwards, making sure you alternate the corners and rows – this isn’t just aesthetic, it actually builds a stronger wall!

Water down some PVA, about 60/40 (PVA/Water) and apply it to wherever you want to add gravel. Sprinkle the gravel on and leave it to dry. Drying times will vary. Give it plenty of time as the next layer will mess it up if it isn’t properly dry.

Mod Podge layer comes next. Get it right in the cracks, thin the Mod Podge down a little to get lighter coats and ensure full coverage. You can add a dash of water to the Mod Podge to thin it down. Allow to dry until it darkens all over.

wargame wargames terrain building modelling warhammer 40K age of sigmar AOS miniatures frostgrave

Water down some cheap black acrylic paint with water, 60/40. Apply it all over! If you’re having trouble getting it into the cracks or its not covering properly you can add a literal drop of washing up liquid. Stir it in, don’t shake it! What you’ve made is essentially a shade wash – the paint will seep into the cracks and impressions, bringing out the detail. Don’t worry if it doesn’t stick to the whole surface, it’s not meant to! Allow to dry.

wargame wargames terrain building modelling warhammer 40K age of sigmar AOS miniatures frostgrave

Dry brush with successive layers of tans, light browns, greys.

wargame wargames terrain building modelling warhammer 40K age of sigmar AOS miniatures frostgrave

  • Add any details such as grass, flocking etc.
  • Once you’re happy, give it a nice layer of hard-coat and allow to dry!

That is pretty much the basic formula used to create terrain pieces. It took a few attempts and some rescues in the first 3 pieces I made up, so don’t panic if you jump forward a step or miss a step – you can always go back, and reapply layers again. The important bit is Mod Podge first!

Details, Details, Details…

Weathering Foil

To weather our bricks, we grabbed some stones from outdoors, put them in a tub with a handful of bricks, and shook them about. Alternatively, we also rolled and scrunched up some foil so that it had uneven and sharp edges. Simply foll or dash the foil against the surface of the Styrofoam and you’ll get a stippled patina that looks like weathering.

wargame wargames terrain building modelling warhammer 40K age of sigmar AOS miniatures frostgrave

Brickwork

When using bricks like this, it pays to get the first layer glued in properly. I lined up the bricks against a light pencil line drawn into the base. This allowed me to keep the brick laying straight, it also allowed me to approach the corners of walls without too much thought: make sure that each corner brick alternates with the row below it. You can see the detail in the images below.

I like to add some random fallen bricks and gaps in the walls to add a bit of life to the ruins… in my head I imagine the story behind them too…

wargame wargames terrain building modelling warhammer 40K age of sigmar AOS miniatures frostgrave

Pathing Stones

For pathing stones, I cut some strips of foam 2 x 2 cm and then just cut the ends off about 0.5 cm. Sanding the corners at this point saves doing it for each individual piece later – a nail file or fine sandpaper will do.  I didn’t need a lot of these but I cut more than I required. I think it looks better if the pathing stones are at an angle from the brick work. I traced some guidelines directly onto the foam base to get an idea of where to place them.

Moss (maybe Lichen)

To add moss, mixed PVA with water (75/25) and toss in a load of flocking so there’s a mulch of thin glue and flocking. You can add dashes of colour for a varied effect. With a brush, get a gloop and dab it in the brickwork gaps, hang it from beams etc. When it dries you can always add more. If its thicker, you can make it drip from beams, where, if you’re lucky, it will harden and look like hanging moss. If you’re feeling particularly special, you could add some tiny drops of colour to the dried moss, for flower details.

wargame wargames terrain building modelling warhammer 40K age of sigmar AOS miniatures frostgrave

Extras

I’ve had an old sprue of assorted items from the original Mordheim game which contains a chest of gold and other bits and pieces. It must be older than some of our readers. I’ll construct, paint and seal these separately, but you can always add them into the formula above to make them look part of (and more involved in) the scenery.

There are a tonne of suppliers online for bits and pieces to add to scenery. Even the expensive GW products come with optional extras on the plastic sprues which you can scatter about for extra detail – weapons, shields, skulls etc. However, if you want to get some extra bits and pieces, I’ve included a link for your perusal later on.

Try some Mantic Terrain Crates

wargame wargames terrain building modelling warhammer 40K age of sigmar AOS miniatures frostgrave

What I’ve Learned this Week

  1. It’s been fun!
  2. I realised that the number of happy accidents are more common than first expected. This element of randomness and chaosivity (to quote a theatrical costumer I know) has given me ideas which I’m going to try and emulate – randomness in a brick wall makes things more interesting than a homogeneous perfection.
  3. You can always go back and change something if you make a mistake, cut out bits you don’t like and just make it look like a natural part of the decay. The process we’ve given is very forgiving!

Coming Next…

So I think I’ve mastered the basics of ruined buildings. Now, I’m going to be setting my sights a little higher by building a larger more detailed ruin. I admit, that not putting much planning into this project is going to be a challenge, but also fun and rewarding.

A simple two story, battle ready building with details is going to look cool – here’s a sneak peak!

wargame wargames terrain building modelling warhammer 40K age of sigmar AOS miniatures frostgrave

I’m away over the next bank holiday weekend, so I’ll get some steam rolling to bring you even more advice and tips on creating battle field terrain soon.

Good luck, and have fun!

Ferris

Part One…

Part Three…

Twitter @FerrisWrites or @TheCConsortium

Facebook page!

 

Exploration in RPGs like Dungeons & Dragons: Putting the Adventure back into Adventuring

It seems that much of the content out there today for role playing games (RPGs) like Dungeons & Dragons (D&D) focus heavily on dungeons and politics or rescuing the village and various other tired troupes. Whether this is the case for you or not, I’ve noticed that many adventures are lacking the element of exploration, which leaves a huge untapped reserve of mystery. Sometimes people refer to this as the sandbox game, where the players are going in their own direction and the GM keeps up, supplying the adventure as the game progresses.

For me, what has been lacking from games over the last several years has been the mystery in exploration. All to often it seems that exploring has been dumbed down or glossed over by the need to keep the story going, to keep the narrative on track, keep the momentum bouncing. This isn’t a bad thing, but the details, the efforts of travelling in a (fantasy) world are completely missed.

dungeons dragons adventure RPG DnD tabletop games

This is a shame, because years ago the old AD&D adventure modules contained heavy elements of exploration, where the players were encouraged to explore and reveal the mysteries of a forgotten land. Adventure modules such as the Isle of Dread (X1, 1981 & 1983), a wilderness adventure designed for beginners back in the day (a long, long time ago) were designed purely with exploration in mind.

In my hunt to recapture the feelings of excitement and wonder (a running theme in my blog articles at the moment) I did a thing. I’ve sailed the ‘net sea, battled excessive blogs and wrangled with the web in the search of good, wholesome and entertaining ideas to make travel and exploration exciting again. Here are my thoughts and the results of my search with some helpful links at the end for your own ‘further reading’ on the subject.

If you’re sitting comfortably, I’ll begin…

Perceived Problems with Exploration

Mention in-game travelling and most players will groan. Understandably, players have not really had a series of exploration adventures that has given them a fun game, even popular digital games such as Skyrim or the classical Baldur’s Gate allow you to travel instantly or in a series of chunks in seconds. But that’s OK, it’s why you’re here reading this article.

Exploration games are said to take their toll on the GM / DM both in preparation and in running the game session. This is a fair point – as the GM of any game you are responsible for hours of planning (or maybe just 30 minutes before the game, if that’s your gig), which often you don’t want to see wasted and unused in the event of player party mistakes. So why would you waste hours of planning on just travelling and exploring new locations?

Finally, keeping the flow and narrative exciting can be a challenge. Inclusive adventures must bring elements to the gaming table where any character of any build or design with even the most jaded of tastes, offers a challenge to each player, a chance in the spotlight.

Are these issues insurmountable? Of course not!

So here are the suggestions I’m putting forward for you, should you ever consider running an exploration themes adventure game of your own.

dungeons dragons adventure RPG DnD tabletop games

Setup & Writing

Character & Plot Hooks

It’s always important to have your players hooked into the concept of the game right from the start. How do you write or plan this sort of thing? Well I’ve written a previous article which you can find here, it gives some suggestions on how to approach a character hook by making the hook relevant to the character, which, hopefully, will entice the player too. As always, it’s best to get a feel for what your player wants from the game, and hook them in based on this information.

It may be that your party is simply travelling overland to get to a place that is uncharted, and the plot of your story is already written. This makes it very easy as the plot hook is the adventure idea you already have.

I’ve written a few examples here to give you an idea:

  • Searching for a missing person(s) of importance: perhaps they were kidnapped and the characters have been hired to locate and return them safely (imagine King Osric’s daughter from the Original Conan film, 1982).
  • Searching for a lost city or civilisation which may hold the key to discovering how to deal with a threat to a characters homelands.
  • Manhunt – a traitor, criminal, dangerous individual or group has evaded the law and must be hunted down to pay for their crimes.
  • The player characters are being persecuted either on their own or with a group of people and have been forced to flee into the wilderness or an unmapped land.
  • Expedition – the player characters are hired to explore the new world and discover its rich resources and lift the veil on its mysteries… and its threats.

dungeons dragons adventure RPG DnD tabletop games

Setting up the Player Party

Every expedition known to man has always had planning at the forefront. Without planning, any expedition is doomed from the moment it takes its first step, leading to a variety of disasters, starvation being the primary one. So it’s important to get your players into the frame of mind that travelling and exploring brings its own dangers. Sure, there will be monsters in the untamed wilds, but losing your food supply or drinking all of your clean water, brings challenges all of their own.

Ask the players some of the following questions before you plan to start your game:

  • How much can your character carry?
  • What food and water supplies will you be taking?
  • Are you equipped for exploration or a dungeon crawl?

An important aspect of any RPG is the role play, above all else it is what glues the game together. Some people find this awkward, but when players have something to talk about, the role play becomes natural. Asking player characters to assume one of several roles in a travelling adventurer party is a great way to overcome this, and also lends itself to more of a game.

These roles are real life examples of what we often overlook during play. In reality, how many of us note down how much of our rations we’re eating? Probably not that many because it’s considered a minor portion of the RPG experience.

Giving the players extra roles also reduces some of the work for GM / DM. By allowing the players to organise themselves and keep track of encumbrance, rations and other supplies, along with mapping duties, it frees up the GM to give a greater insight into surroundings and encounters.

Here are some of the role ideas:

Leader / Voice

The leader is responsible for announcing all final party activity to the GM with regards to direction and pace. Characters can still act in a solo fashion as normal. The leader also consults with and organises the marching order of the other characters present, including any allies that may be travelling with them.

Watchers / Castellan

Let’s face it, you will be stomping through unknown and wild lands, it pays to give someone the task of checking the horizon for trouble, the bushes for traps and the camp for snakes! Watchers and guards are also responsible for finding a suitable place to set camp and how the camp should be organised. For the GM, this gives them time to decide what happens in the night, or if the player party gets surprised.

Navigator / Cartographer

The navigator and cartographer are responsible for guiding the player party on their adventure, keeping a look out for points of interest and landmarks. Their role also involves the blank hex map you will have provided them (more on this later), updating and annotating as they travel. In this way they answer the questions of other characters in a role play manner, rather than relying on the GM to constantly keep checking their notes.

For a character to create a worthy map in game will require some sort of cartographers tools (for D&D) or a surveyor’s kit. Get the players to roll any necessary skill checks to determine the quality of their notes and drawings in case they get lost, or someone else relies on the map in their absence.

Hunter / Quartermaster

Hunters and Quartermasters keep track of resources and the carrying capacity of the party and its allies. Their most important role is to keep track of food and water and find replacements when they feel times are getting desperate. This has a great element of role play as the characters fret over how much they are going to use and what happens if they start to run low.

Generally if the quarter master has no record of something, such as equipment, it does not exist within the party. And if there’s a tonne of things to keep track of, there’s no reason why two characters can’t assume this role together. All characters should have their own equipment list, but the quartermasters will keep a copy of that and update it, especially if one character is lost down a ravine while carrying all of the rope!

(Re)Defining the GMs Role

The GMs primary roles will have lessened from traditional expectations. The key responsibility, other than role playing villains and monsters and refereeing the turn sequence and dice rolls etc, is to keep a track of time. In an exploration adventure keeping a track of time gives the gaming session more purpose and also allows the players to note down exactly what they’ve used up or require more of. It also means the players are told when they are getting tired or possibly feeling the effects of fatigue.

mountain surrounded with trees

Friends, Enemies and Adversaries

It pays to have non-playing characters (NPCs) with the player party, at least for some of the exploration, particularly if you think that there may be character deaths likely to happen – you’ll need a way of introducing new characters for the players when this happens.

Adding allies to mix will also give the players some impetus if the motivation dips during play, because allies need help and tasks undertaken which they could not normally do on their own. Here are a few examples of NPCs to keep in mind, depending on the type of exploration adventure you’re writing…

Allies

The expedition financier or their representatives, the young noble out to cut their teeth, the enthusiastic but clueless scribe seeking lost lore, or the mysterious elf apparently seeking to discover the lost homeland of his or her people – these are all NPCs which can give motivation to the players when they are out exploring. It’s probably best if these NPC stay at base camp, several days behind the party. These can provide quests literally or inadvertently and give guidance if the player characters are struggling with concepts.

Collective Adversaries

If you want to quicken the pace of the adventure and give the players some tension when they are making the important choices, you can introduce another adventuring party who are seeking similar goals. This competition can be right behind, or always one step ahead of the ultimate goal, or they can be unfriendly and unhelpful if they’ve managed to get across the ravine but cut the ropes to the bridge!

Perhaps these other adventuring groups need rescuing instead, the price of their impetus or ignorance!

Enemies!

Perhaps the land under exploration is not entirely empty, and savage tribes use it as a hunting ground. Perhaps one of those tribes sees the party as a target for initiation into adulthood or worse, required components in a bloody ritual!

two person riding boat on body of water

Mapping: Hex or no Hex, you’re travelling

Hex maps have been around for decades and carry with them a nostalgic feel for the days of mystery. Whether you like them or not, the humble hex is a great way of mapping out where the player characters have been, are currently and where they will be, because a hex is more dynamic than a square and easier to handle than a circle.

A hex has six sides, allowing you to plan the direction of the party – there are 8 easily identifiable paths the party can take on a hex, using either a flat side of the hex tile or a point of the hex. If you make your map and overlay a series of hex tiles onto it, you can track the adventurer’s progress with distance, speed and direction.

I suggest you start by making a world map, nothing larger than you need for the landmass your adventurers are crossing or exploring. Each hex should cover maybe a half or a full days worth of travelling, so in theory the party is moving one or two hex spaces in a session. This gives you plenty of opportunity to write and pace the adventure.

Look at your map and make a note of the terrain type of each hex, or whichever is more dominant. Terrain types can be forests, plains, desert etc. You can go one level deeper than this to have varieties of these terrain types, such as adding a height or incline like hills and mountains or valleys which can block or provide a line of sight (more on this later).

Once you’ve got this sorted, you can begin to define potential problems with different terrain types – it can be as simple of slowing progress or speeding it up, using important resources such as food and water, or allowing the characters to restock. There may be monsters which lurk in certain parts of the map, such as green dragons in the forest, or trolls in the swamps (or whatever). Think about your land of mystery and get creative. As the adventure grows you’ll likely want to think about the same challenges repeating. This could get bland so be prepared to allow some hex spaces to be easier to get across.

pine trees by lake in forest against sky

Creating a Map

You’re going to want potentially a large map with plenty of areas and space to explore. Sometime over the next week I’ll write small tutorial on how to put in hex grids in programs like Inkarnate (the free version) and the GIMP . In the meantime, you could do some planning of your own and take into consideration some of the important aspects of your map.

Whether you’re creating something entirely home-brew or using a pre-written adventure or setting, you need to consider the ecology of your map. Just like anything in the real world, things in a region or area run alongside each other and effect each other like an ecology. This won’t apply so much in a fantasy setting, but your map should reflect a realistic expectation so that your players can make logical choices in how they travel and where.

Consider some of the following suggestions and ideas…

Travelling Speed

As a guide, you can break each day down into 4 hour slots, of which most characters will require sleep and rest for 8 hours. How far they can travel will depend on what they wish to do, and how fast they travel, such as by foot or on a horse. As the GM, you will know how far each hex is in miles or kilometers and can set the pace of travel accordingly.

Landmarks

Landmarks are vital to the exploration and travelling game. Without landmarks your players are simply making arbitrary choices based on cardinal directions on a compass. This is incredibly dull and likely to put your players off right away. Landmarks give the players a real choice, offering tantalizing bits of mystery and story to get them to move and explore.

But what can they see?

Well it’s fairly simply: when the players arrive at the edge of the map they will want to plan their direction. Did anyone pack a spyglass? Good – then they can start scanning the horizon. Are they in a forest, is there anything obstructing them from scanning the distant horizon? If so, they’ll need to get to higher ground… and already they’ve determined their first objective – find higher ground.

As a general rule, player characters can probably see about 3 miles over flat ground, far less in forests or hilly terrain unless they’re at a peak in the region.

The player characters should be encouraged to scan the horizon each time they stop to rest. As the GM you can now give them tidbits of information about the surrounding area (hex tiles) allowing them to assume control of their own destiny.

Landmarks also give the players something to talk about, mark on their own maps or confirm their location if they get lost – everyone gets to use the role they have been assigned or chosen when they planned the expedition. Let’s hope they packed some sort of compass…

Landmarks can be constructed buildings such as towers, or natural phenomenon such as giant waterfalls, unusual rock formations or the sun bleached bones of titanic creatures!

white and black abstract painting

Locations

Locations  can be considered like any other encounter in RPGs like Dungeons & Dragons. They will be the meat of your adventurer meal. Don’t overlook the dangers of exploring. Exploration is dangerous in real life, and so it should be more so in a fantasy RPG! Stay your hand though, exploring locations should be about the story and not everything should be dealing damage or killing off players! Instead, capitalise on the mystery and narrative of discovering a new land – temples, hallow cities, strange structures and signs of ancient battles – not everything will be covered in traps or occupied by hobgoblins.

This is the hardest part for the GM, but should also be the portion of planning that takes up the most time. Once your map has been created, you should start to focus on the set pieces of your adventure (because it is still your adventure). A location, like any good dungeon should offer potential challenges to each character type in your player party, whether that’s physical obstructions, strange traps, ancient lore, riddles, clues or puzzles which help unlock or reveal something about the area. This shouldn’t always be the case though – otherwise it may become a formulation of ‘we need to use the rogue, and now the fighter and now the mage,’ which takes the narrative aspect of the game away.

If you can tie the revelation of this location into other locations, you begin to knit your world together. For example, let’s say the player party successfully breaks into an ancient temple and reveal a mysterious artifact, such as a key. What does this key unlock? Does it tie into a different temple or building in the region? What does it unlock, treasure, monsters, a terrible and ancient evil?

By all means include things to fight and slay, but try to ensure that the fight isn’t just a random event. It makes much more sense to disturb a nest or lair, or tackle a timeless guardian creature than hack their way through hordes of pointless minions. Use the monster or creature wisely, build up to its big reveal and make the fight mean something. If they can’t defeat it, they must flee… but where do they flee to? Are they in any fit state to fight, should they fight? These are the tension building moments for your player party in an exploration game.

Throw in monsters and creatures that they clearly cannot defeat to get the player characters to consider their options more deeply, but again, don’t make a habit of putting in impossible odds all the time. That sleeping dragon can be left to sleep if they just tiptoe backwards slowly and come back another time!

beautiful countryside creek environment

So how do they explore a hex tile?

First of all, describe exactly what stands out about a region or hex tile – does that rock formation look like anything? Then, if they decide to stop and explore the area in more detail, you can begin a series of encounters. One very simple suggestion is to draw up a small chart based on how many hours the player party wishes to explore the area. You can begin by asking the players how long they intend to stay and search the area in terms of hours. Then, consulting your small chart you can determine that if the party stops and searches for say 3 hours, they will come across up to 2 encounters for that region. Here’s my example:

  1. Hour 1 – They find nothing, but are slowed by the forest and rough terrain
  2. Hour 2 – As above
  3. Hour 3 – They stumble upon the grotto of a forest troll, roll against the parties passive perception to see if either side is surprised.
  4. Hour 4 – They find a cache of old supplies and a few ripped up skeletons, likely the result of a troll attack.
  5. Hour 5 – A small hatch in the earth that looked like a bolt hole for a temporary encampment ( a micro dungeon).

The party may not stay for too long, or they may wish to camp, in which case the troll may come out at night looking for food (an encounter in itself) which provides something for the watchers and guards in the party to deal with before the attack starts in full.

How fast they move, how much attention they decide to dedicate to the searching and investigating is up to the players. They will soon learn that just stomping over ground in the hopes of bumping into something may prove detrimental!

Getting Lost

Sometimes even the most experienced rangers can get lost, particularly in a new land! Becoming lost should always be an option and you should never allow the players to simply retrace their steps if they’ve surged onward without paying attention or exploring different regions or hex tiles.

Perhaps permit them to roll for skills to see if they can get back on track by setting a high difficulty based on the terrain they are in, and any landmarks they can see from where they are, lowering the difficulty for each point of recognition they can muster. If they fail, they are lost and must spend time (and resources) trying to find their original path!

photography of mountain range during winter

Keeping the Motivation During Play

How do you reward characters in exploration adventures? We want to reward the players for exploring, because we want them to enjoy the exploration aspect of the game alongside all the other aspects of RPGs.

Well, I think it depends on the scope of your adventure and the desire driving the party onward. Beyond gaining experience for slaying monsters and villains, perhaps the player characters also receive experience for discovering new areas, locations and landmarks, BUT they then also get experience for making a region safe (multiple hex tiles in the same region) for anyone following them, such as the baggage train.

If you feel a particularly hard region to explore exists because it contains high powered monsters or traps, you could assign different hex regions a challenge rating to reflect the adversity of making it safe.

Perhaps early locations were inaccessible at the start of their adventure, but now they’ve discovered a key, a token or something which will help them get to the that earlier region. This is a great idea because it means that previously explored hex tiles and areas or regions are not simply redundant after use. It can also lead the player characters to explore for specific things, giving them even more motivation to search and explore areas!

Phew! That is quite a long article, apologies!

If you think you’ve benefited from any of this information, leave a comment below – it really helps us if people think we’re doing good, and gives us direction for future articles!

Further Reading

How to be the Dungeon Master (DM)

How to be the DM (new and old) Part 2: Setting the Atmosphere

D&D and Dice Manipulation – Two opposing styles of Dungeon Masters

The Retired Adventurer

The Angry GM (really angry and potty-mouthed!

Giants in the Playground

Killing in the Name of: Dungeons & Dragons and the unbridled passion of slaying the adventuring party – A few lessons learned

For the last three gaming sessions, I’ve been guiding my players as they attempt to uncover and solve the mystery surrounding the small fishing town of Sharholme. People have gone missing. There’s a taciturn lighthouse keeper who no one likes. Weird and exotic fish are turning up in the nets of the fishermen. What did it all mean?

Well I’m not going to give you all the details, where’s the fun in that? No, I’m going to give you an insight into when the adventuring party were fooled and the Dungeon Master commits to running the adventure to its inevitable end, whether that’s the final encounter or much sooner!

‘Some of your characters may die towards the end of this adventure – I’m testing the adventure on you guys.’

These were my first words when describing the adventure idea I had to my players, a week before they started. Perhaps subconsciously I was giving them a clue to play tougher or optimised characters, or perhaps I was trying to defend myself from any fallout that may occur if it all went wrong. Whatever the reason, the very next gaming session we started the adventure.

The beginning was cryptic – they were called north, along  the Sword Coast by a voiceless whisperer who would not allow them to rest unless they were moving. A brief stop at Candlekeep is all they needed. Get there, and perhaps some clues could give them answers.

But they will never know.

Dungeons and Dragons D&D D&D logo Wizards of the Coast WotC RPG Gaming Tabletop gaming
Photo by ahmed adly on Pexels.com

The first adventure was to warm them up. I was going to let them be goddam heroes and throw small hordes of easily defeated monsters at them. I was going to give them hostages to break out in a daring escape, maybe face off with the enemy leader and thwart the even stranger, deadlier nemesis who defines the backdrop of the narrative.

Alas, it was not to be. They believed they had reached the final encounter. They had not. The Prince Under the Reef was not the monster’s commander as they thought. I’m chuckling as I write this because some of them will only realise as they read this… yeah, it gives me an amusing tingle.

The adventuring party had, in fact, only reached the third to last encounter in the natural dungeon setting. They had suffered some terrible wounds and faced some unsightly horrors, many of them surprises. Up to this point they had advanced in a somnambulistic way perhaps thinking that, being the first part of a what was promised to be a long running campaign, they would have it easy. To some degree this was right.

grey skulls piled on ground
Photo by Renato Danyi on Pexels.com

Allow me to explain:

As a DM I had done my research, read endless articles by other DMs & GMs, consulted the oracle that is Reddit and gone back to basics. I even wrote this article, which, if any of them had read it, may have given them a clue into what to expect. I threw low-challenge creatures at them, made the monsters act in a fantastically pulp manner, unthinking but not to be mocked.

Then I hit them with a monster whose challenge rating was a single point higher than their party level. He was a large humanoid, fighting on even terms. He didn’t even rush them, instead he paused and waited to see if they would parley, to see if they could talk to him and see if they could find peace. They outnumbered him but they seemed tired – his minions had carried out their task of killing the adventuring party with a thousand paper cuts. All he had to do now was thrust his trident into the open wounds and finish them off.

What followed was five rounds of bloody mayhem.

The bird-man monk fell first, the priest next, followed by the halfling rogue who couldn’t quite dash into cover, leaving the archer as last-elf-standing. It was a bold gesture to cast away that bow and draw a long sword, after-all, the enemy had thrown his trident at them previously, disarming himself in the process. Both combatants were heavily wounded.

Dungeons and Dragons D&D D&D logo Wizards of the Coast WotC RPG Gaming Tabletop gaming
Taken from media-waterdeep.cursecdn.com 6/2/19

The elf stood little chance.

While the fight continued, his comrades bled to death on the wet subterranean sands of the oceanic grotto. Some would stabilize but be useless to sway the flow of battle. As the sun’s final rays set against the turbulent waves above, my heroic adventuring party slumped to the ground in a final gasp below the waves.

As the DM, I had defined my dungeoneering destiny and finalised the characters fates by not holding back. I had lulled them into a false sense of security and then pounced upon them with a well calculated challenge. Or so I thought.

The daft thing is: I expected them to get to the final encounter and then suffer tremendously through a terrifying race across an underground, underwater grotto ala Indiana Jones’ cinematic dash, avoiding natural traps and pitfalls as they barrelled along heroically.

In a nutshell, the DM did not hold the player’s hands and guide them through. I realised that if there is to be any fun in the game, it has to be risky. I knew this already, but the temptation to guide the players through the story had flattened the experience for me… it had simply lost some of its fun.

As for the players, well the fun reached a happy height above our gaming table. Although they were getting ripped to pieces, bleeding all over the place and possibly facing death (well, actually they did) they all seemed happy to go along with it.

Here’s the kicker for the players though – that challenging encounter left the monster with just twelve hit points. TWELVE! That’s one good or two average hits with a long sword… but the dice rolling was poor, and I was using my specially reserved Dungeon Master Dice. They never let me down.

So there you have it:

Dungeon and Games Masters, don’t be afraid to roll up your sleeves and kick their arses if it’s all going wrong, you’ll all enjoy it!

And Players; never trust the DM. Ever.

We’re sly a bunch.

J.D. Ferris

The Godless Realm – Update and Changes Made

We’ve been quiet on the social media and website front. We’re not lazy. We’ve been busy!

Four weeks ago I enlisted the help of an experienced RPG gamer and writer named Mr James, to bring some much needed energy and creativity. In that time we’ve packed a tonne of lore and story into the Godless Realm setting, making it meaty and plausible in equal measure.

Fantasy RPG Pulp Adventure Hero Knight Cavalry D&D
Edited Image, Originally by David MacKenzie from Deviant Art https://www.deviantart.com/jagged-eye/art/Lee-Warrior-4a-435067509

We’ve decided to make the Godless Realm system neutral, meaning it is chock full of lore content, with plenty of hooks and ideas to create your own adventures in whatever RPG system you desire. We still aim to release adventures and story arcs to fit into the Godless Realm, and we have planned several evolutions to the Godless Realm setting in the future as the world populates and widens.

The extra help from Mr James has given me time to rewrite the Pulp Core rules in two important ways; firstly it is streamlined and the probabilities now work properly. For a success, a dice roll now requires a single score of a 6. Secondly, we realised that the Core Pulp system has flaws and lost its direction. Based on the feedback we received, I’ve really hit the system hard and cut out irrelevant details and mechanics to tighten everything up. The development process, based on your feedback, has really helped us get this right. I am now much happier with the system and we’ve developed some interesting mechanics.

Pulp Fantasy, as it is currently called, comes in three documents which we are releasing to our reliable readers and testers soon. These will be a Player Guide, a Games Master Guide and a tome of Creatures & Inhabitants. We felt this would help keep the attention and excitement for players new to the gaming world, and keep some of the secrets for the GM.

mistings

The magic system has had a complete overhaul and now works in a fashion more inline with a ritualistic and narrative style. It is based on ritual preparations but also allows for desperate unprepared spell casting. We hope this makes it flexible and adaptive with countless possibilities for players and GM’s to create their own spells. We’re even encouraging the players to write down their spells as they think of and use them, essentially creating a tome of personal spells which will help them improve with character advancement. Best not lose that spell book, eh?

Bad Guys

Monsters have been a bit of a bugbear but we’ve settled on some nice ideas to break the mold of typical gaming habits. The biggest change we’ve implemented is the size and actions of larger creatures.

Larger monsters, though rare, will not act at a single point in the combat process each turn. Instead they will be able to act as several individuals, making special attacks based on the number of limbs and special abilities they posses. Now, a player will have to think twice about charging forward to get stuck in, because that Dragon hasn’t blown all its actions targeting the warriors in the party just yet, so getting too close is still dangerous. Players will have to think about their actions and weigh the chances of getting too close too soon.

femaleknight

Artwork Desires

On a little side project, we’ve been seeking artwork to help bring the world and documents to life and poke some imagination back into our minds. This has been difficult. We are not in a situation yet where we can pay artists to bring our world to life, so instead we’ve been relying on stock images and editing what we can get our hands on.

We’re working hard to make sure that the images we use are properly credited – we’re the Creator Consortium, we want people to be recognised for their hard work.

One problem we have encountered is the over sexualisation of female adventuring style stock photos. While this may prove titillating to some, it isn’t very inclusive. Since we’re looking for more realistic fantasy stock images, we may have to dig deeper to find something less bosom-heaving for something like more gritty realism. Watch this space!

We’re focusing on a process which will allow us to take any stock images and create some cohesion to make it less jarring to look at. Hopefully some nice black and white water colour effects will help the mystery blossom too. There’s a couple of examples dotted throughout this article, and we’re accepting criticism if you can show us a few tricks!

But we realise that people may want to print our documents at some point, so we’re going to be supplying some print easy options too. No one likes to spend a fortune on inks!

There’ll be a blog post this week to show how we’ve been editing our chosen stock images and I’ll go into detail about how to credit and reference people correctly for their hard work! It’s been a fun learning curve.

Until then…

Thanks for reading, I’ll be back with another update soon.

Mr Ferris

Here’s how we made our images!

Fantasy RPG Pulp Adventure Hero Knight Cavalry D&D

An Intro To The Pulp RPG Modular Framework.

An Intro To The Pulp RPG Modular Framework.

The Future Of Pulp RPG And You.

Dev Blog: Pulp Play-Test, Feedback, Zombies & Editing

Is Playing DnD Online Better Than In Real Life?

A new game of Dungeons and Dragons is always a nerve-wracking event as a Dungeon Master. There is so much to do, especially if you want to write your own adventure. Then you have to consider your players, you never really know what they are going to do, or if the content you’ve written will be “enough”.

Well last night I embarked upon a new campaign, written in about a week, using a digital tabletop which I’d never used before (I also haven’t ran many campaigns online), with an entire party of players I didn’t know. I don’t think it’s possible to present a DM with more of a psychological or physical challenge.

And frankly it was one of the best sessions I’d ever had.

This article is an attempt to get more people into DnD online. As a DM, you invest so much time and effort that it can be hard to step out of your comfort zone, but this session reminded me why that’s important.

We used Roll20: the free virtual tabletop which provides an absolute ton of functionality and really brings you as close as you can possibly come to being around a table. The dice roller even lets you roll big 3D dice!

https://roll20.net

As the DM, I found that every little need I had was met: I could set up encounter tokens, NPCs, new maps, handouts and even track initiative on the tabletop. This allowed me to involve the players in every part of my preparation. They could see the gears in motion so the session never really stalled or lost pace when I was setting up the next encounter.

For tracking characters we used DnD Beyond. An amazing official website by Wizards Of The Coast, which basically gives you every tool and rule to set up a campaign and actually play it. The site requires an entire article of its own, but suffice it to say that as a DMs and character’s toolbox, this site has it all.

https://www.dndbeyond.com

Then lastly we come to my players. I was so nervous about these guys, I’d never met any of them before, we just set up the game on a discord server I frequent before christmas then last night, there we were, confronted by a whole slew of new experiences.

As a DM, you always hope that your players are going to “get” your game, and certainly I was worried that my game style wasn’t necessarily going to be compatible with how they wanted to play. My fears turned out to be completely unfounded, as they really got their teeth into my session in a way that made the effort totally worth it!

This proves to me, that playing DnD online, with strangers is not such a daunting task as it used to be. The free tools are so good these days that you hardly feel divorced from the table. It certainly opened my eyes and I hope you give it a chance too! Especially if you can’t give up the time and effort it takes to get together with people on a particular day. As a 29 year old who works odd hours, that’s become of great concern to me in recent years, so last night’s session was almost a weight off my mind:
As long as you have a computer, you can play DnD.

Until next time,

Fozzie.

How to Write Single Session Adventures for RPGs (with examples)

Whether you’re new to RPGs like D&D or you just want a fresh perspective as a veteran, we’ve got some suggestions to creating a single session adventure in a couple of hours (which, over a week isn’t that long at all when you think about it).

Writing a whole campaign for table top role-play games like Dungeons & Dragons can be daunting, especially if you’re new to the role of games master (GM) or dungeon master (DM). It doesn’t need to be difficult, which is why I’m setting out how to write a single session adventure and how make it a worthy story!

Definition

A single session adventure takes place for a single gaming session – usually around 3 hours or an evening of game play. It is designed to resolve itself by player interaction at the end of the session, allowing the players to move their characters on. It is a great way to introduce yourself as a new GM to the game because the effort involved is minimal compared to writing a full campaign. That said, extra credit for proper design such as maps and non-playing characters really helps!

Single session adventures need to be concise, so some of the work the GM has to undertake can be a bit more intense: the game needs to start succinctly, the players need to be hooked in right from the start and the game needs to build up to the end smoothly.

I’m going to be running with an adventure example so you can see how it builds up. If you’re lucky I’ll throw in some diagrams to explain what I’m talking about.

Note: I’m not writing this with any game system in mind, although I’ll use generic fantasy elements like those found in D&D. The advice and technique should apply to just about any setting or game.

First Step: The Facts

Identify what the facts are in your adventure – this is the most creative part of the design stage because what you’re doing is setting the plot. The players don’t need to know these facts – it is their job to find the clues and put the pieces of the puzzle together much like a murder mystery show. The clues culminate into the facts and then there is a resolution, in games like Dungeons & Dragons this is normally the second to last encounter: facing the enemy.

Look on the facts of your adventure like the synopsis of a story or a film. It needs to be only be a line or two at most.

Example fact: A Hag is living near a village and has sleep-charmed one or more of the villagers to kidnap young children and take them to her grotto where she devours them or uses them in dark rituals to proliferate her coven. Travellers have also gone missing in the night, leaving all of their belongings behind in the small village inn.

From this simple factual synopsis, we have the antagonist of our story, the method and locations of their actions and finally a reason as to why – creating her own coven of hangs or witches.

Second Step: The Clues & Encounters

A single session adventure should have no more than 3-4 key encounters where the players are able to discover clues. Clues are simple bits of information that, when combined with other clues point the finger or give a direction for the players to investigate further, leading to the showdown encounter which is the resolution. Clues do not have to be combat engagements – your players will be playing different characters with different skills and abilities and you are going to want to provide something for everyone in some of your encounters. Each clue should involve a different style of play to accommodate skills and abilities. This is a story, not a series of fights.

Here’s a diagram showing ways you can organise your clues to make the adventure coherent to you and your players. It is not a comprehensive diagram, but covers the basics which should be more than enough for your single session adventure:

clues for resolutions

Route 1 is linear and fair for first time players. Route 2 starts with the first clue, requiring at least clue two or three to be discovered before heading to the final resolution. Route 3 implies that any clue may lead to the end resolution. Personally, Route 2 is my chosen style as it gives the players a natural feel for the progression of the plot and doesn’t lead right to the resolution after a single clue.

Examples clue encounters

I’ve picked four clues which the players may encounter.

The first clue is that a child vanished in the night from the family’s log cabin. The players can investigate the cabin and realise that there are no signs of forced entry, and under questioning the parents, the bar to the front door was still in place in the morning. Rogue like characters, or trap masters will enjoy setting up their own traps to see where the thief comes from, or analysing the events, possibly suspecting the parents (which is true, but the parents are not aware of their actions).

The second clue is that the elders of the village have been having dreams where they have taken up their young ones and carried them through the forest in the dead of night, to a stone altar where a beautiful woman waits in a strange scant clothing, a tall horned figure lingers in her shadow, never quite realised clearly. Stone altars, strange large creatures and witch-like individuals should inspire the lore masters and religious or cult focused characters.

The third clue involves tracking bare footprints that lead from the village into the forest. Outdoor characters and hunters / trackers will enjoy finding clues such as broken branches or torn clothing (matching the villagers nightwear). Nature characters such as druids will likely notice that the fauna of the forest is very quiet, and that there is evidence of corruption in the flora: leaves are slightly yellowed, new growth is not as vibrant or strong.

The fourth clue is optional, as the players may not try to set up a watch and see if another child or traveller goes missing. This clue / encounter should lead the party into the thick of the forest where the hag will be awaiting her sacrifice. The players will likely forcibly engage the hag, who will make her escape and let the horned figure do her fighting. Tracking the hag from here will lead to the final resolution.

If you feel the party is going too fast, you can include some other encounters as red herrings – bandits camped nearby the main road, wandering monsters which, once dealt with, turn out not to be the culprit!

You should write short introduction paragraphs for each area which gives the details the players need to start investigating. Use the clues you have already written to help you with this. My example is attached to the first clue – clues two and three can probably fit into the map of the village we’ve already given to the players.

“The abandoned cabin sits in shadow, empty of life. The door has been flung open, the bar that held it shut discarded on the floor. From the outside, the various windows have remained closed, firmly held shut by their wooden bars. Inside is cold, hidden away from sunlight and without a fire to keep the house dry. The three rooms are separated by door frames covered in heavy fabrics. The beds are disturbed.”

From this description, your players will want to begin their investigation of the various rooms, asking you questions and poking around for more clues. In this instance, it is clear that the kidnapper did not force their way in, suggesting there is another way into the cabin (which there is not). After a thorough search the players will probably conclude that the kidnapper came from inside the house and may suspect the family – which is another intense encounter which can develop from the clue.

Third Step: Draw the Players In

This is often referred to in RPGs as the plot hook – the device you use to draw the players in and make them want to participate in the adventure. For longer games that last several sessions you can play on plot hooks by enticing players one at a time, but in single sessions you can’t afford to spend the time tailoring the hook for each character.

This is usually the last step for me, as don’t often use personal character hooks (my players are pretty good at that themselves). Arguably this step could be the first or last for many GMs – it’s all down to how you feel about it.

Start the game by asking their characters why they are on the road or why they may be in the village. Take no more than 5 minutes to round this information up. If you have completely new players, you’ll want to do this before the gaming session.

You’ll find that some players are quite good at giving you a little bit of character plot themselves – likely they will provide you some of their own motivation.

Fourth Step: Extra Credits

Maps will be essential to the players immersion for a single session game. Keep them simple: a map of the village will suffice as a centerpiece for the gaming table or space. Make it larger than it needs to be so the players can add to it as they explore or learn about points of interest from the locals – particularly the outdoor type characters, your Rangers, Druids, Hunter etc.

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Have a dungeon, by all means, but keep it small, maybe 4-6 areas in said dungeon at most. Again, add elements that will give each class or character type something to play with to utilise their abilities such as traps, moral obligations, conundrums, and obviously monsters and bad-guys.

Have a two tailed ending. This is where the clues may allow for different approaches to affect the resolution of the adventure. This could be helping one faction over the other, using a faction to thwart the other or toppling both factions at once. In order for this to happen, consider two or more factions where one is a definite enemy, and the others as possible enemies.

In our current example, one of the townsfolk may have control of the hag, perhaps they hold a fetish which stop the hag from killing them, and so they use the hag for their own agenda, perhaps they suffered at the hands of the villagers years ago and now have an avenue for their revenge. You’ll need to edit your primary fact from your first step.

Fifth Step: Running the Game, Pacing and Rhythm

You should start the gaming session from this point and describe the setting to them from the outset. Leave no room for them to be in different places or occupied with other events unless you can trust the players to come together quickly. I’ve including an example opening description, feel free to use it as a template.

‘Winter in the northern reaches comes sharply this time of year and is unforgiving to the lost and weary. You have been travelling through dark forests for several days. Seeing the first village in what seems like months, you happily head to the warm glow of fires. The village is quiet as occasional snowflakes fall silently. Well wrapped stragglers hurry indoors, some clutching babies close to their chests or dragging resisting children indoors. A single guard approaches holding a torch high to see you all clearly in the growing darkness. She carries a well service sword on her hip. “We don’t see travellers much here – we’re shunned,” she points to a large, scruffy two-story building in the centre of the village, ‘You’ll find rest there, but beware, people have gone missing in the night, locals and travellers alike. If it wasn’t for the coming blizzard, I’d tell you to keep walking.” She nods curtly and continues her patrol.’

In this opening, we set the scene: winter and cold, the characters should be seeking shelter. We give them a location, the village. Being dark, children and being called in, which seems normal at first. The guard, although taciturn doesn’t provide the mission as such, but she does lay the ground work, suggesting the village is not a highly regarded by outsiders and that people go missing. Finally, the players are told a blizzard is coming, so they will likely want to seek shelter and stay a while. Once the players are at the Inn, they can begin questioning the suspicious and untrusting locals, which is an encounter in itself and helps you set up the clues.

So, it is a bit cliché, but this is a working example which I hope gives you an idea of how to draw the players in without making it seem forced. Nothing kills the immersion that keeping your players rigidly in the story, you need them to feel like they want to stay and investigate.

So far, we have the clues, encounters and the plot hook to get the players drawn in. You’ve already got the meat of the adventure set out, now you need to add the garnishes and side orders.

And the last bit…

Keeping the flow of the game is vital for single session adventures. More than ever the party must not dawdle about, wondering where to go next – if they do, they’re eating into the valuable session time and need to get moving. My simple advice here is to keep the players active. If they don’t seem to be doing anything, for example in the evening of the first night at the Inn, then get them to commit to sleep or carry out an action.

If the players are stumped and are not sure what to do next, bring an encounter to them, but make them work for it – don’t spoon feed them! If the following morning they are sat outside wondering where to start, add a small encounter where another child has gone missing: a mother’s shriek. If they still don’t investigate, the villagers gather around the house and begin weeping – another child is missing and then they active ask the characters to help them investigate, which should lead them to the first clue.

There you have it – a single session game planned out and underway in a couple of hours of work. If, like me, you get the odd 10 minutes here or there, jot down your ideas, add to them, let them grow.

If you give yourself a finite number of key encounters, the rest pretty much writes itself and you’ll be steaming ahead with tonnes of possible ideas, just waiting to be played!

That’s all for today!

We’ve been working hard on NaNoWriMo, Pulp RPG, adventures modules, proofing, editing and brainstorm, all whilst holding down full-time jobs. We’re getting there 😉

J.D Ferris, CC